Skip to main content

The Conference of the Birds

We draw together listeners worldwide and to inspire them through a diverse spectrum of inspiration and expression generated by the listeners themselves and uploaded onto the ESR App.

We have given this worldwide community, present on the App and on our dedicated internet site, the name of “The Conference of the Birds”. Since its official launch in February 2016, the “Conference of the Birds” has drawn together 1.228.724 people with 19.7 % returning active listeners.

Certain of the contributions and suggestions uploaded onto the App from around the world are selected for inclusion in the live concert programmes of the Callias Ensemble and Silk Road Symphony Orchestra. These concerts draw together large audiences, both online and in multiple venues. 

Silk Road Cultural Belt

The Silk Road Cultural Belt is the sum of the contributions left by our listeners, spanning the Continents, across time and space. It is a belt, a road and a narrative to overcome cultural divides which hinder a peaceful common global future.

The Silk Road Cultural Belt is also a series of Spaces: concert halls, churches, factories and alternative venues along the road that host live concerts, performances, exhibitions. 

Background

The Conference of the Birds or Speech of the Birds (Persian: منطق الطیر‎‎, Manṭiq-uṭ-Ṭayr, also known as مقامات الطیور Maqāmāt-uṭ-Ṭuyūr; 1177), is a long poem of approximately 4500 lines written in Persian by the poet Farid ud-Din Attar, who is commonly known as Attar of Nishapur.
In the poem, the birds of the world gather to decide who is to be their king, as they have none. The hoopoe, the wisest of them all, suggests that they should find the legendary Simorgh, a mythical Persian bird roughly equivalent to the western phoenix. The hoopoe leads the birds, each of whom represent a human fault which prevents man from attaining enlightenment. When the group of thirty birds finally reaches the dwelling place of the Simorgh, all they find is a lake in which they see their own reflection.
Besides being one of the most celebrated examples of Persian poetry, this book relies on a clever word play between the words Simorgh – a mysterious bird in Iranian mythology which is a symbol often found in Sufi literature, and similar to the phoenix bird – and “si morgh” – meaning “thirty birds” in Persian.